The second track, Beast of No Nation is slower to get rolling, setting up a jazz-funk groove that almost has the lilting feel of Nigeria’s other primary musical export, juju, and letting it simmer.
Hot trumpets blare atop the keyboards, and the rhythm gradually picks up speed and gathers force until Fela launches a biting tenor saxophone solo (it starts in Dexter Gordon territory, but heads Archie Shepp-ward before it’s over) at around the eight-minute mark, with the other horns commenting behind him. There’s a Herbie Hancock-esque keyboard solo after that, then more sax, and only then, about 13 minutes in, does the vocal section of the song begin.
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